WEEKS 1–6
Reading between the lines
Establish literal understanding; test inference, analyse precise words, control sentence boundaries and apply feedback. Baseline and fresh transfer assessment bracket the unit.
Explore the weekly focus
Week 1 · The Last Seat
Read: Establish literal understanding, a plausible inference and independent sentence control; notice existing vocabulary knowledge.
Write: Write a short scene in which a young person joins an unfamiliar group. Show a change in their feelings through what they notice, say or do. You may invent the place and characters. Do not retell Maya’s scene.
Vocabulary to use and revisit: retrieve, hesitant, sentence boundary, quotation
Week 2 · The Spare Key
Read: Test an inference against more than one detail. Repair comma splices and join contrasting ideas with but. Reveal a feeling through action and dialogue.
Write: Write a scene in which someone wants a responsibility but tries to hide how much they want it. Let the reader infer their feelings from actions and dialogue. Use at least one correctly joined sentence with but.
Vocabulary to use and revisit: inference, reluctant, reassure, comma splice, coordinating conjunction
Week 3 · After the Last Train
Read: Explain how a particular word contributes to tension in its context. Use a subordinate clause without losing the main clause.
Write: Write a scene in which an ordinary place briefly feels threatening. Control what the reader learns: offer a small clue, delay its explanation, then reveal an ordinary cause. Include one clear complex sentence and one purposeful short sentence.
Vocabulary to use and revisit: obscure, abrupt, anticipation, main clause, subordinate clause
Week 4 · The Window Seat
Read: Distinguish poet and speaker and test an interpretation against another detail. Write a first-person poem in which an ordinary object changes in significance.
Write: Write a poem of 10–14 lines in the first person about feeling outside a group and then making a small connection. Use one ordinary object whose meaning changes. You do not need to rhyme. Aim for precise details rather than many emotion words.
Vocabulary to use and revisit: composed, isolation, tentative, poetic speaker, stanza
Week 5 · Keep a Quiet Corner
Read: Distinguish viewpoint, reason and evidence. Build one justified paragraph whose sentences serve a clear claim.
Write: Write one developed paragraph to the student council arguing for one realistic improvement to a shared school space. Make a clear proposal, justify it with a concrete example, and respond fairly to one possible objection. Choose your own space rather than the library or playground.
Vocabulary to use and revisit: concede, justify, provision, concession clause, paragraph cohesion
Week 6 · The Untied Rope
Read: Transfer the first five weeks' learning to unfamiliar material. Revise one weakness with a stated reason.
Write: Write a short scene in which a young person attempts an unfamiliar activity with other people. Show a change in their feelings through what they notice, say or do. You may invent the place and characters. Do not retell Owen’s scene.
Vocabulary to use and revisit: inference, hesitant, justify, sentence boundary, characterisation